8371 / 18210 · Workshop 67 — Bass-Line Reharmonization: Creating New Harmony by Designing the Bass First← prev⊞ allnext →
67.43Level 20 — alternate dominant and minor
Bass:
E-A-D-G-C.
Try:
E7 → Am7 → D7 → G7 → C.
Then:
Em7 → A7 → Dm7 → G7 → C.
Compare.
The bass is similar.
The harmonic story differs.