8420 / 18210 · Workshop 67 — Bass-Line Reharmonization: Creating New Harmony by Designing the Bass First← prev⊞ allnext →
67.92Apply it to “Mack the Knife”
This tune is perfect for bass-driven variation.
Chorus 1: two-beat roots/fifths.
Chorus 2: walking bass.
Chorus 3: chromatic approach lines into structural roots.
Later chorus: pedal underneath one phrase for surprise.
Final: rising bass into modulation.
The harmony can remain largely recognizable while the bass itself creates escalation.