8388 / 18210 · Workshop 67 — Bass-Line Reharmonization: Creating New Harmony by Designing the Bass First← prev⊞ allnext →
67.60Level 29 — ostinato reharm
LH repeats:
C-G-B♭-G.
RH melody continues.
Instead of following every original chord root, reinterpret melody over C7/modal field.
Now you have changed harmony by refusing original bass movement.
Very useful for funk transformations.