8335 / 18210 · Workshop 67 — Bass-Line Reharmonization: Creating New Harmony by Designing the Bass First← prev⊞ allnext →
67.7Level 2 — ascending chromatic bass
C → C♯ → D.
Possible harmony:
C → C♯°7 → Dm7.
You already know this sound.
Again:
the passing diminished chord exists because the bass wants:
C-C♯-D.