8393 / 18210 · Workshop 67 — Bass-Line Reharmonization: Creating New Harmony by Designing the Bass First← prev⊞ allnext →
67.65Level 33 — borrowed-bass shock
C-major passage.
Bass unexpectedly:
A♭.
Find an upper harmony compatible with melody.
That one borrowed bass can create:
A♭maj7
Fm/A♭
D♭/A♭
or another color.
Then G→C.
Suddenly the phrase gains depth.