8391 / 18210 · Workshop 67 — Bass-Line Reharmonization: Creating New Harmony by Designing the Bass First← prev⊞ allnext →
67.63Level 31 — reharmonization by bass substitution under same chord quality
Suppose melody/harmony is Cmaj.
Try bass:
C.
E.
G.
A.
Thus:
Cmaj
C/E
C/G
C/A → Am7-ish.
You can move between tonic-family functions without drastically changing upper structure.