8395 / 18210 · Workshop 67 — Bass-Line Reharmonization: Creating New Harmony by Designing the Bass First← prev⊞ allnext →
67.67Level 34 — bass enclosure
Target:
C.
Approach bass:
D♭ → B → C.
This surrounds C chromatically.
Can you harmonize those notes convincingly?
For example:
D♭7
G7/B or B°-type harmony
C.
Very tense.
Use sparingly.