8399 / 18210 · Workshop 67 — Bass-Line Reharmonization: Creating New Harmony by Designing the Bass First← prev⊞ allnext →
67.71Level 37 — bass motif transposition
C-centered motif:
C-G-A-B♭.
Move to F:
F-C-D-E♭.
Now the same scale-degree behavior supports IV area.
This is blues/rhumba-boogie logic.
Very useful for New Orleans and boogie styles.