8394 / 18210 · Workshop 67 — Bass-Line Reharmonization: Creating New Harmony by Designing the Bass First← prev⊞ allnext →
67.66Chromatic bass should have destination
Random foreign bass notes are rarely convincing.
Ask:
Where is it going?
A♭→G is immediately meaningful.
D♭→C is immediately meaningful.
C♯→D is meaningful.
Strong semitone destinations justify chromatic bass.