477 / 18210 · Module 12 — Secondary Dominants: How to Make Chords Pull Toward Other Chords← prev⊞ allnext →
12.19Why C7 is unusual in C major
C major tonic chord is:
C E G
But C7:
C E G B♭
contains B♭.
That B♭ points strongly toward A:
B♭ → A
which is part of F major.
So:
C7 → F
means:
V7/IV → IV
The tonic itself temporarily becomes a dominant chord.
This is a very common sound.