465 / 18210 · Module 12 — Secondary Dominants: How to Make Chords Pull Toward Other Chords← prev⊞ allnext →
12.7Notice all the “wrong notes”
In C major:
C D E F G A B
But secondary dominants introduce chromatic notes:
A7 = A C♯ E G
C♯ is outside C major.
B7 = B D♯ F♯ A
D♯ and F♯ are outside.
C7 = C E G B♭
B♭ is outside.
D7 = D F♯ A C
F♯ is outside.
E7 = E G♯ B D
G♯ is outside.
Those notes are not random.
Each one creates a leading-tone or dominant relationship to the destination chord.