484 / 18210 · Module 12 — Secondary Dominants: How to Make Chords Pull Toward Other Chords← prev⊞ allnext →
12.26Why A7 sounds good after Cmaj7
Cmaj7:
C E G B
A7:
A C♯ E G
Several notes stay or move minimally:
E stays
G stays
C → C♯
B → A or C♯ depending on voicing
That single:
C → C♯
strongly announces:
D is coming.
Then:
C♯ → D
into Dm.
Excellent voice leading.