497 / 18210 · Module 12 — Secondary Dominants: How to Make Chords Pull Toward Other Chords← prev⊞ allnext →
12.39Apply to a simple song
Suppose basic progression:
C | Am | F | G7 | C
Try:
C | E7 Am | C7 F | D7 G7 | C
Now every major destination gets extra preparation.
That's much more harmonically active.
Compare with the simple version.
Neither is automatically better.
They serve different styles.