485 / 18210 · Module 12 — Secondary Dominants: How to Make Chords Pull Toward Other Chords← prev⊞ allnext →
12.27Smooth voicing example
Try:
Cmaj7
RH: E G B C
A7
RH: E G A C♯
Dm7
RH: F A C D
G7
RH: F G B D
Cmaj7
RH: E G B C
Don't worry about this exact voicing as a law.
Listen for the chromatic line:
C → C♯ → D
and later:
B → C