487 / 18210 · Module 12 — Secondary Dominants: How to Make Chords Pull Toward Other Chords← prev⊞ allnext →
12.29Combine both
Play:
Cmaj7 → E7 → Am7 → A7 → Dm7 → G7 → Cmaj7
Track two chromatic lines:
G → G♯ → A
then:
C → C♯ → D
These inner semitone movements are the real reason the progression feels sophisticated.