490 / 18210 · Module 12 — Secondary Dominants: How to Make Chords Pull Toward Other Chords← prev⊞ allnext →
12.32Secondary dominant of iii
This one is less immediately familiar but useful.
In C:
B7 → Em
B7:
B D♯ F♯ A
Em:
E G B
Important:
D♯ → E
Try:
C → B7 → Em → A7 → Dm → G7 → C
Now the harmony travels quite a bit while still returning coherently.