8830 / 18210 · Workshop 71 — Countermelody and Inner-Line Arranging: Writing a Second Voice That Supports the Tune Without Fighting It← prev⊞ allnext →
71.102Apply it to a ballad
For any ballad:
main melody high.
counterline middle.
bass sparse.
Allow:
chromatic inner motion
suspensions
delayed resolutions
contrary movement.
This is one of the clearest paths from “lead-sheet pianist” to “arranger.”