8791 / 18210 · Workshop 71 — Countermelody and Inner-Line Arranging: Writing a Second Voice That Supports the Tune Without Fighting It← prev⊞ allnext →
71.63Level 46 — dissonance against melody
Suppose main melody:
G.
Counterline:
F.
That creates a second.
Could be beautiful.
But control:
register
duration
resolution.
A second in middle-high register can be expressive.
A low second can become muddy.