8750 / 18210 · Workshop 71 — Countermelody and Inner-Line Arranging: Writing a Second Voice That Supports the Tune Without Fighting It← prev⊞ allnext →
71.22Level 13 — countermelody from guide tones
This is one of the best ways to begin.
Suppose progression:
Dm7 → G7 → Cmaj7.
Counterline:
F → F → E.
Main melody above is something else.
The counterline automatically reinforces harmony.