8784 / 18210 · Workshop 71 — Countermelody and Inner-Line Arranging: Writing a Second Voice That Supports the Tune Without Fighting It← prev⊞ allnext →
71.56Level 41 — more motion over static harmony
C pedal for four bars.
Counterline:
E-F-F♯-G-A-G-F-E.
Main melody sparse.
Now static bass supports active contrapuntal development.
This is an ideal setting for a countermelody.