BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
8795 / 18210 · Workshop 71 — Countermelody and Inner-Line Arranging: Writing a Second Voice That Supports the Tune Without Fighting It← prev⊞ allnext →

71.67Level 49 — counterpoint into block climax

Opposite:

start with two independent lines.

As phrase intensifies:

voices gradually synchronize.

Final note:

full block chord.

The texture moves from individuality to ensemble unity.

Excellent climax device.