8798 / 18210 · Workshop 71 — Countermelody and Inner-Line Arranging: Writing a Second Voice That Supports the Tune Without Fighting It← prev⊞ allnext →
71.70Level 52 — countermelody as reharmonization trigger
Suppose you invent a beautiful line:
A → A♭ → G.
That may suggest:
F → Fm → C.
So a melodic secondary line can generate chord changes.
This is exactly the lines-first philosophy of Workshop 70.