8831 / 18210 · Workshop 71 — Countermelody and Inner-Line Arranging: Writing a Second Voice That Supports the Tune Without Fighting It← prev⊞ allnext →
71.103The larger lesson
We started this course thinking of piano vertically:
melody + chords.
We increasingly think horizontally:
melody line bass line guide-tone line countermelody rhythmic layer
The vertical chords are what happens when these lines meet.
That is a much deeper model of harmony.