8749 / 18210 · Workshop 71 — Countermelody and Inner-Line Arranging: Writing a Second Voice That Supports the Tune Without Fighting It← prev⊞ allnext →
71.21RH two-voice exercise
Top:
G.
Inner:
E-F-E.
Hold G clearly.
Move inner line softly.
If inner line becomes louder:
repeat.
This is essential chord-melody control.