BookatlasPiano Rabbit Hole: Improvisation Theory & Practice
8769 / 18210 · Workshop 71 — Countermelody and Inner-Line Arranging: Writing a Second Voice That Supports the Tune Without Fighting It← prev⊞ allnext →

71.41Level 26 — walking bass as countermelody

A good walking bass is itself a melodic counterline.

The difference is:

it also defines harmonic foundation.

So in swing:

RH melody + LH walking bass

already creates counterpoint.

This is why extra inner lines must stay sparse.