8785 / 18210 · Workshop 71 — Countermelody and Inner-Line Arranging: Writing a Second Voice That Supports the Tune Without Fighting It← prev⊞ allnext →
71.57Level 42 — hidden countermelody in chord tops
Suppose main melody is played high.
Inner block voicing has one voice moving:
B-A-G-F♯.
Bring that line out slightly.
Now the chord texture contains a secondary melody.
This is subtle and elegant.