8776 / 18210 · Workshop 71 — Countermelody and Inner-Line Arranging: Writing a Second Voice That Supports the Tune Without Fighting It← prev⊞ allnext →
71.48Level 33 — counterline as phrase glue
Suppose melody rests between phrase 1 and phrase 2.
Counterline begins at end of phrase 1 and leads directly into phrase 2.
This prevents dead space without merely filling it.
It connects sections.