8762 / 18210 · Workshop 71 — Countermelody and Inner-Line Arranging: Writing a Second Voice That Supports the Tune Without Fighting It← prev⊞ allnext →
71.34Level 20 — extract countermelody from melody DNA
Take a small interval/rhythm from the main tune.
For example:
ascending third + repeated rhythm.
Use that in the second voice.
Now the countermelody sounds related without copying the melody literally.